However, there is much more to it than just this familiar scene from Judeo-Christian lore. When approaching this painting in order to analyze it iconographically, it is necessary to first look at all aspects of the form. If this aspect is ignored, it provides for an incomplete analysis of the painting. Once this is looked at, the iconography of the painting becomes much clearer, and it is easier to compare the painting to the actual biblical text from which it was derived Gospel of St.
Matthew — His meticulous placement of figures and attention to the miniscule details reflected his success as a painter that was able to turn the unpaintable, infinite reality into a finite piece of work.
Works Cited Dhanens, Elisabeth. Van Eyck: the Ghent Altarpiece. New York: Viking, Open Document. Essay Sample Check Writing Quality. This story presents many important themes such as religion and sexuality, illusion, and intolerance. However, perhaps the most intriguing aspect of the story is the character exploration and development of the narrator, Dave. The story begins with Dave telling the reader a little about himself and his old job as a bouncer at a nightclub.
He appears to be your average year-old; he talks about providing for his family, playing with his kids, drinking with his buddies, and watching Fraiser.
However, throughout the story, the reader gets a more and more in depth look into the mind of Dave. We got in a lot of trouble for that. There are bits of animals all over the place, and a tent, and ping-pong balls floating on air currents, and a small house made of concrete, and videos of people reading poetry. It looks more like a school open day than an art gallery. You know, biology here, science there, English over at the back, media studies next to the toilets….
Anyone could now. You could now, because you could just copy it out. Our group was getting smaller and smaller, because the woman taking us to our positions was sort of dropping us off, like we were in her bus.
And it turned out that I was the last passenger. Like when me and Lisa went on a dodgy package holiday to Spain, years and years ago, before the kids came, and there was a coach to pick us all up at the airport, and every other bastard got dropped off at their hotel before we did, because it turned out that our hotel was two miles from the sodding beach. My painting was sort of the same thing as that, It was off to the side, in a room all of its own, and there was a curtain across the entrance, so it was separate from the others.
This room contains an exhibit of a controversial nature. Please do not enter if you feel you might be offended. She just ignored it — never asked me if I might be offended. I went behind the curtain, and there on the far wall was this massive picture of Jesus.
Because you can go into any church and see the same sort of thing. Not so realistic, maybe, a bit more PG than R, but, you know, basically the same sort of stuff: moustache and beard, crown of thorns, sad. When you step behind the curtain, you just see the picture, and the face. You have to get quite close up to see anything else.
I just thought: religious people. And as I got closer, I could see that the picture was made up of hundreds — thousands, maybe millions — of little squares, like the mosaics I pinched from the Roman ruins. And when I got really close, I could see that these millions of little squares were actually little pictures, and every single little picture had at least one female breast in it.
There were big breasts and small breasts, and big nipples and small nipples, and black breasts and white breasts. Must have taken him years.
So now I understood what the sign was about. I hated the picture then. I went to have a look at the name of the artist, and it turned out to be a woman. Martha Marsham. How can you be a woman and do that? I thought.
I could have understood some bloke doing it, some bloke with too many dirty magazines and no girlfriend. But a bird?
I might even give them a hand. I was actually still looking at all the little pictures when the first people came in, holding wine glasses. I stopped looking, quick, and stood by the chair with my hands behind my back, looking straight ahead, like I was on sentry duty, while these two people, a man and a woman, looked at the picture. She was about my age, short hair, quite posh. He shrugged, and they left the room. There was none of that stuff, the stuff they take the piss out of in TV comedies, where they stroke their chins and talk bollocks.
There never is, in my experience, which has now lasted two days. They look and they go. Something to laugh at. The next couple were younger, early twenties, studenty types, and they were more interested in me than the picture.
And the girl looked at me, and laughed. And then they went, too. By this stage, I was starting to feel a bit sorry for this Martha woman. I mean, you spend who knows how long doing this thing and people come in here, look at me, laugh, and then sod off again. I might ask her for half her royalties, or whatever it is she gets.
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Be the first to start one ». Readers also enjoyed. Short Stories. About Nick Hornby. Nick Hornby. Among his many other honors and awards, four of his titles have been named New York Times Notable Books. That same September, the author published his latest novel, Juliet, Naked to wide acclaim. Hornby lives in North London. Books by Nick Hornby. Violence in the Catcher in the Rye Often, simple physical conflicts are used to develop characters and to increase the suspense and action between them.
Salinger's The Catcher in the Rye, Holden Caulfield the year-old narrator and protagonist claims to be a pacifist. Holden views the world as an evil and corrupt place where there is no peace. As a sincere person living amongst phonies, he views others as completely immoral and unscrupulous. Open Document. Essay Sample Check Writing Quality. Nipple Jesus by Nick Hornby, a fictional short story published in , truly is a seamless interweaving of separate themes through the main character.
The most vigorous aspect of Nipple Jesus is the exploration and personal development of the prejudiced Dave as a character shaped by various occurrences within the story. Dave, a bouncer and art museum security guard with no qualifications, narrates the story in the first person, which makes it more interesting and empathetic. The composition is constructed chronologically but with a few flashbacks. Another thing that makes it present is the hot issue about freedom of expression according to religion.
Regarding language and style, the story bears the stamp of irony and playfulness. Dave is a confused and tough six-foot-two, fifteen-stone bouncer with a shaved head who does not know what to do with his life. Additionally, he is an immature, who
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